Thursday, May 15, 2008
Another Conference I Can't Attend
6/12-6/15 in Boston
Including:
-Scale, Scope and "Crowding Out" in the Nonprofit Lively Arts: Economic Analysis of Organizations in a Geographic Market
-The Socioeconomic Composition of Arts Participation: Definitions, Evidence and Policy Issues
- Innovation in the Cultural Industries
- Artists' Demographic Characteristics and Employment Patterns in the US
- To Dare or Not to Dare: Key Risks in London's Cultural Industries
- Tax Incentives as a Tool for Cultural Policy: The Experience of Japan, Italy, and Bulgaria
Oh boy. Four days of cultural economics freakout-geekout in my hometown? And it overlaps NPAC? Why does everything happen when I'm already busy? Phooey.
Wednesday, May 14, 2008
Strategic National Arts Alumni Project (SNAAP)
First, I wanted to highlight the Strategic National Arts Alumni Project (SNAAP), a new annual survey designed to track what artists actually do with their lives once they leave school.
Besides Theatrefacts, I can't think of another long-term study of cultural engagement and involvement. (If I'm missing something, please let me know!) I can't figure out how they're choosing the survey participants, but I'd be happy to volunteer.
From the press release:
So. Excited. About. This.SNAAP is a visually engaging online survey system to collect, track, and disseminate national data about the artistic lives and careers of alumni who trained as visual, performing, or literary artists at both the high school and college levels. As an ongoing research system, it will allow education institutions, researchers and arts leaders to look at the systemic factors that helped or hindered the career paths of alumni, whether they have chosen to work as artists or pursue other paths.
Neither an exit nor a longitudinal survey, SNAAP will be administered as an annual survey of alumni at specified junctures following their institutionally-based arts training 5, 10, 15 and 20 years after graduation. Once fully operational, SNAAP findings will allow for national and other comparisons and can be disaggregated in various other ways so that institutions can better understand, for example, how students in different majors use their arts training in their careers and other aspects of their lives.
Friday, May 2, 2008
Weekend Reading
Alvin Epstein, currently playing Nagg, played Lucky in the first US performance of Waiting for Godot, and played Clov in the first US performance of Endgame. Forgive the italics - it's the best I can do for a national treasure.
From the interview - Elaine Stritch, on Beckett's intelligence:
Beckett must have been some sort of a fucking genius. I think he was one hell of a smart son of a bitch. I'm just getting this off my chest.Finals this week! Back to posting next week.
Friday, April 25, 2008
Weekend Listening
Weekend Reading
Thursday, April 24, 2008
Obsession: Leechblock
Leechblock takes about 30 seconds to install, and once it's up and running, you can use it to block time-wasting sites. I've created a few different sets of blocks, like one set of sites is blocked for my entire work day, one set is blocked after I've spent 15 minutes on the site, etc. Suddenly my papers are being written in record time, and I am no longer cruising Facebook all day checking out my middle-school boyfriend's profile. Even emerging arts leaders need some time-management help once in a while.
Lifehacker keeps track of the best Firefox Add-ons, if you're interested in other ways to soup up your browser.
Wednesday, April 23, 2008
Philadelphia: Christmas in April
My favorite part comes at the end
Ooh, go with the original acoustician! He deserves a second crack at it.Now that the debt is gone, Ewers said, the Kimmel will concentrate on two other ambitious efforts: enlivening the public spaces of the center, which are currently populated only around performance times, and undertaking an acoustical remake of Verizon Hall.
Questions about the acoustical work involve not only how to fund it, but also whether the hall's original acoustician or another firm should undertake the effort. Strategies for enlivening the public spaces were unveiled last week in a series of ideas crafted by PennPraxis, the University of Pennsylvania planning authority, proposing physical changes to the building.